Xtreme DaMessenger
GospelAbout
Xtreme started writing lyrically in the mid 80's, then started producing in the early 90's. Xtreme uses every gift and talent that he was blessed with to encourage others, lift up those who are down, and motivate those that might be a bit un-motivated. Music has always been one of his passions so he uses it to lift up the God that he is so passionate about. His lyrical content is written to get todays believers to start identifying with their new man in Christ and to let go of the old man. His content is always scriptural based and written so the youngest listener may be able to listen, understand, and learn. This is not about fame and fortune but it's definitely about Jesus! This is Xtreme, on and off stage. In front of a camera or no camera's at all. No gimmicks, no made up image, or altered ego. Just keeping it 100.
He is a Husband, Father, Pastor, and Author of Love, Grace, & Faith - God's balance to Christian Living. He has performed as an opening act under the name of Da Menace in his past for the likes of M.C. Lyte, and the 69 Boyz. Xtreme also graced the same stage as The CrossMovement and The Righteous Riders. After a period of being off the stage but doing steady work in the studio, he drops his latest release "My Book Bag." Also dropping a couple of singles, "Epic Flow" right before Christmas and "He Came Down" right before the New Year.
When asked who were his greatest influencers in music, Xtreme said that there were many influencers in the music business that inspired him very much but the ones that inspire him the most by reaching his spirit in the following Hip Hop and Gospel genre are:
CrossMovement Tye Tribbett
Da Truth Marvin Sapp
Every Day Process. Isaac Carree
KB Deitrick Haddon
Le Crae J Moss
Andy Mineo John P. Kee
Canon Fred Hammond
You may not hear there style's in his music vocally, but they influenced him either through vocal arrangements, vocal range, lyrical content, lyrical style, writing style, and most importantly, their passion for the music they make.
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