Your bio is the first thing an editor, playlist curator, or booking agent reads before deciding whether to listen. Here’s how to write one that actually gets read - and reused - instead of the same three sentences every artist’s bio opens with.
Your artist bio is what editors, bookers, and playlist curators read in the first 30 seconds before deciding whether to keep going. Here's how to write one that holds up, sounds …
One artist bio isn't enough - a booker's inbox and your website's about page need different lengths. Here's how many versions to write, how long each should be, and when to use …
The 'build a PDF and dump it in a Dropbox folder' era of EPKs is over. Here's what to use instead, and when a cloud folder still makes sense.
A first draft of your artist bio is never the version that should go out. Here are 7 concrete edits - length, person, proofreading - that turn a rough draft into something you'd …
Bookers, radio, promoters, and reporters all open your EPK looking for different things. Here's what each one actually needs to see - plus the contact-info mistake that quietly …
Building an EPK isn't complicated once you know the order to do it in. Here's the complete build process and checklist - bio, music, socials, photos, logo, reviews, gig info, and …
Your music might speak for itself eventually - but your bio is what gets someone to press play in the first place. Here's what a good one actually does for your career.